To attempt to make this situation better I added in a lot of transitions and effects, such as the 'peephole' effect and simply fading in and out, making the whole thing run smoother and look more realistic than if I were to simply leave it as shaky jump-cuts. We didn't break the 180 degree rule, though I noticed a continuity error in that it cuts between two different areas in the chase scene, something I would aim to change if I had the opportunity to repeat myself. I think our shot reverse shot was effective in that when Dan aimed his gun at Tom and we got a reaction shot, we didn't break the 180 degree rule and it showed what the characters were feeling.
The match on action shot we included was when Dan cocked his gun. I also added a slow motion effect in to make the shot more obvious, as well as to add tension, which I think worked really well.
I know that if I were to repeat myself, I would add more of a diversity of shots as well as make the editing smoother and a lot more fast paced, as the soundtrack often overtook what was actually going on in the film.

The second character we represent in regards to 'Propp's Theory' is the 'sidekick'. We always showed him either in the background or to the left of the hero, so he is always in shot, but off camera. His gun was smaller than the main hero's, showing that the 'bigger' man is the more important, and the sidekick sticks to the background.



